{"id":623,"date":"2017-10-04T12:38:43","date_gmt":"2017-10-04T12:38:43","guid":{"rendered":"http:\/\/laurent.di-filippo.fr\/?p=623"},"modified":"2017-10-04T12:38:43","modified_gmt":"2017-10-04T12:38:43","slug":"article-strasbourg-apres-lapocalypse-entre-formalisation-projective-et-realisation-locale","status":"publish","type":"post","link":"https:\/\/laurent.di-filippo.fr\/?p=623","title":{"rendered":"[Article] Strasbourg apr\u00e8s l\u2019apocalypse : entre formalisation projective et r\u00e9alisation locale"},"content":{"rendered":"<p><a href=\"https:\/\/laurent.di-filippo.fr\/?attachment_id=625\" rel=\"attachment wp-att-625\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-625\" src=\"https:\/\/laurent.di-filippo.fr\/wp-content\/uploads\/2017\/10\/IMAG0785-300x180.jpg\" alt=\"\" width=\"300\" height=\"180\" srcset=\"https:\/\/laurent.di-filippo.fr\/wp-content\/uploads\/2017\/10\/IMAG0785-300x180.jpg 300w, https:\/\/laurent.di-filippo.fr\/wp-content\/uploads\/2017\/10\/IMAG0785-768x460.jpg 768w, https:\/\/laurent.di-filippo.fr\/wp-content\/uploads\/2017\/10\/IMAG0785-1024x613.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h1 style=\"text-align: center;\"><strong>Strasbourg apr\u00e8s l\u2019apocalypse\u00a0: entre formalisation projective et r\u00e9alisation locale<\/strong><\/h1>\n<p style=\"text-align: center;\"><strong>Laurent Di Filippo, <\/strong><strong>Patrick Schmoll<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>R\u00e9sum\u00e9<\/strong><\/p>\n<p>Le genre post-apocalyptique a connu un certain succ\u00e8s depuis la seconde moiti\u00e9 du XX<sup>e<\/sup> si\u00e8cle en se posant comme un regard critique des auteurs sur des mod\u00e8les socio-\u00e9conomiques et sur le contexte historique dans lequel ils publient. Mettant en sc\u00e8ne des d\u00e9cors urbains d\u00e9vast\u00e9s, ces \u0153uvres permettent, \u00e0 travers une projection dans le futur, d\u2019interroger le pr\u00e9sent. Les ruines qu\u2019elles d\u00e9peignent symbolisent \u00e0 la fois un effondrement du monde et l\u2019ouverture d\u2019un espace de conqu\u00eate. Les jeux vid\u00e9o qui s\u2019inscrivent dans ce sous-genre de la science-fiction permettent alors aux utilisateurs de s\u2019engager dans de nouveaux modes d\u2019appropriation de l\u2019espace. Lorsqu\u2019il mettent en sc\u00e8ne la ville, voire une ville en particulier, ce type de jeu va donc offrir des nouveaux modes d\u2019engagement dans l\u2019espace urbain sous la forme de l\u2019appropriation ludique.<\/p>\n<p><strong>Mots-cl\u00e9s\u00a0<\/strong><\/p>\n<p>Post-apocalyptique, jeux vid\u00e9o, ruines, r\u00e9appropriation, espace, exp\u00e9rience ludique.<\/p>\n<p><strong>R\u00e9f\u00e9rence <\/strong><\/p>\n<p><strong>Di Filippo, L.<\/strong>, Schmoll, P. (2016). La ville apr\u00e8s l\u2019apocalypse: entre formalisation projective et r\u00e9alisation locale. <i>Revues des sciences sociales<\/i>, 56, <em>Indisciplin\u00e9.e.s<\/em>, 126-133.<\/p>\n<p>Site de la revue : <a href=\"http:\/\/www.revue-des-sciences-sociales.com\">http:\/\/www.revue-des-sciences-sociales.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Strasbourg apr\u00e8s l\u2019apocalypse\u00a0: entre formalisation projective et r\u00e9alisation locale Laurent Di Filippo, Patrick Schmoll &nbsp; R\u00e9sum\u00e9 Le genre post-apocalyptique a connu un certain succ\u00e8s depuis la seconde moiti\u00e9 du XXe si\u00e8cle en se posant comme un regard critique des auteurs sur des mod\u00e8les socio-\u00e9conomiques et sur le contexte historique dans lequel ils publient. Mettant en &hellip; <a href=\"https:\/\/laurent.di-filippo.fr\/?p=623\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">[Article] Strasbourg apr\u00e8s l\u2019apocalypse : entre formalisation projective et r\u00e9alisation locale<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":625,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,14],"tags":[60,57,59,44,54,58,56,55],"class_list":["post-623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-articles","tag-apocalypsheim","tag-espace","tag-goffman","tag-jeux-video","tag-post-apocalyptique","tag-realisation","tag-urbain","tag-ville"],"_links":{"self":[{"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=\/wp\/v2\/posts\/623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=623"}],"version-history":[{"count":1,"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=\/wp\/v2\/posts\/623\/revisions"}],"predecessor-version":[{"id":626,"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=\/wp\/v2\/posts\/623\/revisions\/626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=\/wp\/v2\/media\/625"}],"wp:attachment":[{"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laurent.di-filippo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}